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SELECTED SOLO/SHARED EXHIBITIONS & INSTALLATIONS:

2009

heartgalerie, Paris, France ("Future Tense" portfolio, BlueMoov_ Editions, Paris)

2008

Antipodes festival, Le Quartz, Brest, France

Haven Arts Center, Bronx, NY

Brattleboro Museum of Art, Brattleboro, VT

2006

Katzen Arts Center, American University (“Body Languages” with Mary Coble) Washington, DC

2004   

ClampArt, New York, NY

G2 Gallery, Scottsdale, AZ

Maus Habitos, Porto, Portugal

2001        

Wessel+O’Connor Gallery, New York ([Your] Numbered Days   artist book)

Maus Habitos, Porto & Igreja da Misericordia, Leiria, Portugal: Partial Disclosures installation (catalog)

2000      

Centro Cultural de Belém, Lisbon,  Portugal : Partial Disclosures installation

University of Rhode Island, Kingston, RI : Partial Disclosures installation

The Schoolhouse Center, Provincetown, MA

1998         

C.E.P.A. Gallery, Buffalo, NY: Blind Trust: installation (“Ruins in Reverse” exhibitions/catalog)

Cabrillo College, Aptos, CA:Partial Disclosures installation

1997         

Gomez Gallery, Baltimore, MD

Houston Center for Photography, Houston, TX (catalog; essay by Mark Johnstone)

Colgate University, Hamilton, NY

“The Works” International Arts Festival, Edmonton, Canada: Blind Trust installation

G. Gibson Gallery, Seattle, WA

Witkin Gallery, New York, NY

1996         

Craig Krull Gallery, Santa Monica, CA (Compound Fracture,  Twin Palms monograph premier)

New Arts Program Gallery, Kutztown, PA: Frail Shelter installation

Donna Beam Fine Art Gallery, UNLV, Las Vegas, NV:  Blind Trust installation

1995          

Craig Krull Gallery, Santa Monica, CA

G. Gibson Gallery, Seattle, WA

1994           

Temple University Gallery, Philadelphia, PA: Blind Trust installation/artist book; text by Chris Packard

Gomez Gallery, Baltimore, MD

1993                           

Nye Gomez Gallery, Baltimore, MD

1992                          

Witkin Gallery, New York, NY (Lifejacket  artist book/catalog; texts by K. Larsen, J. McMahon, R. Ehmke)

Anderes Ufer, Berlin, Germany (installation)

Galerie Fotomania, Rotterdam, The Netherlands

University of Notre Dame, Notre Dame, IN

University of the Arts, Philadelphia, PA : Skin Deep installation

1991                           

Southern Light Gallery, Amarillo, TX

1990                          

Witkin Gallery, New York, NY

1988                          

Midtown Y Photography Gallery, New York, NY

Photographic Resource Center, Boston, MA: Shallow Anatomies installation

1986

Chicago Books, New York, NY (window installation)

1985                           

Nexus Gallery, Atlanta, GA (installations)

C.E.P.A. Gallery, Buffalo, NY: public bus installation project

1984                          

MoMing Gallery, Chicago, IL (installations)

The Harkness Center, New York, NY

1983                           

Maison Jean Villar & Manufacture Laugier, Avignon, France

DTW Gallery, New York, NY

1981                           

Bates College, Lewiston, ME (catalog, essay by Brian Wallis)

 

SELECTED COLLECTIONS:

The Metropolitan Museum of Art, New York

The Museum of Modern Art, New York

The International Center of Photography, New York

Los Angeles County Museum of Art

Museum of Fine Arts, Houston

The Baltimore Museum of Art

DeCordova Museum of Art, Lincoln, MA

Worcester (MA) Art Museum

Nash Editions Collection

The Contemporary Museum, Honolulu, HI

City of Phoenix, AZ

 

SELECTED GROUP EXHIBITIONS AND INSTALLATIONS:

2009

"Afterglow; Four Photographers and the Hand-Held Light", Carrie Haddad Photographs, Hudson, NY

"Mankind", Werkstattgalerie, Berlin, Germany

2007

"Expressive Bodies", Kinsey Institute at Herron Gallery, Indianapolis, IN

"Latent Image", Mesa Contemporary Arts, Mesa, AZ

2006

"Surface Tension", Brighton Photo Fringe, Brighton, UK

"Past is Present", Visual Studies Workshop, Rochester, NY

"New to View", Worcester Art Museum, Worcester, MA

"The Body Familiar", Griffin Museum of Photography, Winchester, MA

2005

George Billis Gallery LA, Culver City, CA

2004

“Hidden Histories”, The New Art Gallery, Walsall, UK (catalog)

“Anxiety and Desire”, Metropolitan State College of Denver, CO

2003                          

“How Human”, International Center of Photography, New York, NY

“Other Waters”, G. Gibson Gallery, Seattle, WA

“Boys of Summer” Clampart, New York, NY

2002                         

“Facing AIDS”  traveling international exhibition and publication, Umbrage Editions

“Everyman”, San Francisco Camerawork, San Francisco, CA  (catalog)

“20th Anniversary Exhibition”, Houston Center for Photography, Houston, TX

“Invisible Cities” , Center for Photography at Woodstock, NY

 “Photo Festival”, Carrie Haddad Gallery, Hudson, NY

2001                         

“The Last Picture Show” & “Appearances”, Wessel+O’Connor Gallery, New York, NY

“Focus on the Future: Digital Photography”,  University of Alabama, Birmingham

2000                        

“Anatomically Incorrect”, Museum of Modern Art, New York, NY

“Directors Choice” Museum of the Ozarks, AR & Portland State University, OR

1999                          

“Rattling the Frame”, SF Camerawork, San Francisco, CA

“Clothes Off”, Witkin Gallery, New York, NY

1998                          

“Waterproof”, Expo ‘98, Centro Cultural de Belém, Lisbon, Portugal  ( & book)

“Bodies in Flux”, Weatherspoon Art Gallery, U. of North Carolina, Greensboro, NC (Partial Disclosures)

1997                           

“Exhibit A”, Illinois State University Galleries, Normal, IL: Blind Trust installation

“Seeing Jazz”, Smithsonian International Gallery, Washington, DC (& tour)

“Homo Genius”, Tyler Gallery, Philadelphia, PA

1996                          

“Dearest Comrades”, Wessel+O’Connor Gallery, New York, NY

“Bathers”, Washington Center for Photography, Washington, DC

“New in the Nineties”, Katonah Museum of Art, Katonah, NY

“Nash Editions”, Butler Institute of American Art, Youngstown, OH (& tour)

“Masculine Measures”, J.M.Kohler Arts Center, Sheboygan, WI

1995                           

“Camera Invisibile”, Temple Abroad Gallery, Rome, Italy

“X-Sightings”, Anderson Gallery, Buffalo, NY

“The Body Photographic”, Contemporary Art Center, New Orleans, LA (Blind Trust; catalog)

“In the Face of AIDS”, Hobart/William Smith College, Geneva, NY (Blind Trust)

“Blind Spot”, The MAC, Dallas TX & SoHo Festival,  Christinerose Gallery, New York, NY

1994                          

“Sea Change”, Josh Baer Gallery, New York, NY

“25th Anniversary Exhibition” Witkin Gallery, New York, NY ( & book)

1993                           

“Proof Positive” & “Queering Family Values”, Maryland Art Place, Baltimore, MD (catalog)

1992                          

“New Photography 8”, Museum of Modern Art, New York, NY (Lifejacket catalog)

“Medicine Body”, Illinois State University Galleries, Normal, IL

“De Man”, Brouwersgracht Twee Drie Acht, Amsterdam, The Netherland

“Queer Bodies”, Evergreen State College, Olympia, WA (catalog)

“Body Evidence”, P.S. 122 Gallery, New York, NY (Life/Safety/Water/Saving installation)

“The Frame: Multiplied & Extended”, Security Pacific Gallery, Costa Mesa, CA

1991                           

“Interactions”, Institute of Contemporary Art, Philadelphia, PA  (catalog)

“The Body in Question”, Burden Gallery, New York, NY  (Aperture/catalog)

1990                      

“AIDS=AID” & “Beams”, The BAUhouse, Baltimore, MD

“Place, Geography, & Change”, Film in the Cities Gallery, St. Paul, MN

“3x5”, Houston Center for Photography, Houston, TX (installations)

1989                          

“Choices” Catherine Edelman Gallery, Chicago, IL

1987                           

“Subjective/Objective Images”, L.A.C.P.S., Los Angeles, CA

1986                          

“Tampered Vision”, Old Dominion University Gallery, Norfolk, VA (installation)

1985                           

C.E.P.A. Gallery, Buffalo, NY (installation)

SF Camerawork, San Francisco, CA (installation)

1984                          

“Artists & Photographic Installations”, 1708 E. Main Gallery, Richmond, VA (installation/catalog)

Piezo Electric Gallery at Kamikaze Club, New York, NY

1983                          

“Terminal New York”, Brooklyn Army Terminal, Brooklyn, NY (installations)

“Altered Color”, Cameravision, Los Angeles, CA (installation)

1982                          

“Photo Start”, Bronx Museum of the Arts, Bronx, NY (catalog)

1981                           

Foto Gallery, New York, NY

 

SELECTED COMMISSIONS:

2009

Collaborating visual artist for Weddings and Beheadings, Pavel Zustiak/Palissimo, Ailey Center, NYC                      

2008

Collaborating visual artist for Body-Scan, Benoit Lachambre and Su-Feh Lee, Le Quartz, Brest, France and tour (2009)

2003                         

Collaborative elements/projections for The Yellow Room , Yoshiko Chuma, Daghdha Dance Co., Ireland

1990                          

Projections/set for The Undead,  (Cooper/Houston-Jones/Brosius), L.A.C.E. (CA), The Kitchen (NY) & tour

Slide suite  for Benoit Lachambre concert, DanceWorks, Toronto, Canada

1989                          

Set for Allies, Bebe Miller & Co., Brooklyn Academy of Music/Next Wave Festival & tour

1988                          

Slide suite for Jeff McMahon concert, P.S. 122, New York, NY

Slide suite for Ishmael Houston-Jones concert, The Kitchen, New York, NY

1986                          

Slide suite for P.S. 122 Field Trips, New England and New York tour

 

MONOGRAPH BOOKS:

2001                         

[Your] Numbered Days, artist book, Bethany Johns Design, self publish

1996                          

Compound Fracture, Twin Palms Publishers (A.I.G.A. Best Books of the Year award)

1994                          

Blind Trust, collaborative artist book, texts:Chris Packard/David Deitcher; Temple University & self publish

1992                          

Lifejacket, artist book, Bethany Johns Design, self publish

 

ANTHOLOGIES:

2008

Male, Vince Aletti, Collier Schorr, PPP Editions/Andrew Roth, Inc.

2007

Hommes Pour Hommes Pierre Borhan, Editions des Deux Terres (Man To Man, English edition)

Nash Editions; Photography and the Art of Digital Printing, Garrett White, ed., New Riders

2005

Self-Exposure Reed Massengill, Universe Publishing/Rizzoli

Umbigo; Co-ordinates of the Body in Contemporary Art, Coutinho et. al. Umbigo Portugal

2004

Male Bodies: Photographic History of the Male Nude , Emmanuel Cooper, Prestel Publishers

Hidden Histories, Michael Petry, Artmedia Press

2003                       

Facing AIDS: Imaging the Global Epidemic  , Umbrage Editions

Sixième Sens: Science et Paranormal, Varvogolis/Robin, eds., Editions du Chêne, Paris

1999                          

Adonis,  M. Olley, Thunder’s Mouth Press (Homme, Carlton Books)

1998                          

À Prova de Água/Waterproof­ , Jorge Calado, Edition Stemmle

Master Breasts,  Melissa Harris, ed. , Aperture

The Passionate Camera, Deborah Bright, ed. , Routledge

The Male Nude, David Leddick, ed. Taschen Books

1997                           

Seeing Jazz, , E. Goldson, ed., Smithsonian SITES/Chronicle Books

Beasts, , David Sprigle, ed.,  Foto Factory Press

1996                          

Whitman’s Men, Berman & Groff, eds., Universe Press/Rizzoli

1995                           

Fully Exposed, Emmanuel Cooper , Routledge

1994                          

Uncontrollable Bodies, ,Sappington & Stallings, eds., Bay Press

Witkin Gallery 25, Lumiere Press, essay by Peter Bunnell

1993                           

Running Scared, Peter Lehman,  Temple University Press

Der Traum vom Fliegen, Deutsche Fototage GmbH, Frankfurt

1992                          

Exploring Color Photography,  Robert Hirsch,  Brown & Benchmark

 

SELECTED PUBLICATIONS AND REVIEWS:

Afterimage (5-6/99),
Aperture (#121,#143, #166),
Art & Understanding (8/94)
Art in America (2/93),
Baltimore Alternative (v.8,#5)
Baltimore Sun (5/4/93 & 12/2/97)
Blind Spot (#2 & #7)
Camerawork (v.24 #1, 1997,v.26 #2, 1999, v.29 #2, 2002)
The Critical Eye (on-line magazine, 4/98)
Contact Sheet (Light Work, Syracuse, NY#94)
Contents Magazine (#16)
Darkroom Photography (1/90)
Edmonton Journal (Canada, 7/4/97)
Euros (Berlin, #11 & #39)
Exposure (#36:1, 2003)
Eyemazing (#4/2006
& #1/2009)
Männeraktuell (10/93 & 6/97)
New Art Examiner (11/89)
New York Native (3/16/92 )
New York Times (11/15/92)
Noname Magazine (#8, 3/07)
Out Magazine (11/95, 12/96, 1/07)
Perspektief (#42, 10/91)
Photo Metro (#100)
Pref (Paris, #22 10/07 & #25 4/08)
Quiver (Tyler School of Art, PA#12)
Seven Seas (Tokyo, #71, 7/94)
Smithsonian (V.23 #10)
Umbigo (Portugal, #5,03)
Views (PRC, Boston, v.9, #4)
Village Voice (3/24/92, 12/8/92, 5/8/01)
Voices (Buffalo,NY 9&10/98)
Washington Blade (4/23/993)
Wedge (#2)
XXX Fruit (#2).

 

RELATED WORK, SELECTED RESIDENCIES & GRANTS:

2009

Bogliasco Foundation, Centro Studi Ligure, Italy, residency fellowship

2008

Visiting Artist, Temple University Rome and John Cabot University, Rome

2005

Panelist, Inaugural Regional Triennial, Center for Photography at Woodstock, NY

2004

Peter S. Reed Foundation Grant

2001                         

Visiting Artist, Burren College of Art, Ireland

Visiting Artist, Arizona State University, & University of Arizona

2000 & 2001        

Visiting Artist, Glasgow School of Art, Scotland

Visiting Artist, SUNY New Paltz, NY

1998- ongoing        

Faculty/Independent study projects, School of Visual Arts, New York

1998                          

Residency fellowship, The MacDowell Colony, Peterborough, NH

1997                           

Featured speaker, “Border Subjects” conference, Illinois State University, Normal, IL

Guest Lecturer, Colgate University, Hamilton, NY

Panelist, “Art Evo” symposium, “The Works” Arts Festival, Edmonton, Canada

Fellowship/residency/regional grant juror, Light Work, Syracuse, New York

Visiting Artist, School of the Museum of Fine Arts, Boston, MA

1996                          

Artist in Residence, University of Nevada, Las Vegas, NV

Panelist, “Artists Respond to AIDS”, College Art Association Conference, Boston, MA

1995                           

Fellowship grant in photography, Mid-Atlantic Arts Foundation (NEA regrant)

Visiting Artist, Tyler School of Art in Rome, Italy

1994                          

Panelist, “Masculinity & Photography”, American Photography Institute, NYU, New York, NY

since 1989               

Book & CD covers for numerous publishers (Grove, Knopf, Simon & Schuster, Virgin Records, etc.)

1989-1994                

Co-curator with Dona Ann McAdams, SpaceCase Gallery, P.S. 122, New York, NY

1991                           

Visiting Artist, Fachhochschule Bielefeld, Germany

1989                          

Art Matters Inc. grant for Bebe Miller commission, Next Wave Festival

1986                          

New Works grant, Mass. Council on the Arts & Humanities/N.E.F.A. for P.S.122 Field Trips

1980-1982               

Photographer/graphics consultant, Modern Art Consultants, New York, NY

since 1981                

Photo documentation/collaborative projects with numerous performance artists & dancers

 

EDUCATION:

1979                           

Post-graduate work in printmaking, Tyler School of Art, Rome, Italy

1978                           

B.F.A. with highest honors, Tyler School of Art, Philadelphia, PA

1976 & 1974             

Skowhegan School of Painting and Sculpture, Skowhegan, ME

1975                           

New York Studio School in Paris

1974-1976                 

Attended Wesleyan University and School for Visual Arts of Boston University

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